The Maine
An artful dialogue about the wonders of the state.

Tuesday 207

painting by Jessica Stammen

stammen_207_row

About this painting: I have lived much of my life on the coast of Maine but I do not know how to sail. This summer I will change this; but as Richard Bode writes “first I must row a little boat.”

***

Every Tuesday The Maine will post a new painting by Jessica Stammen. These small works, all 4 x 4 inches on cradled birchwood panels, will be concurrently listed for auction on dailypaintworks.com, a fantastic platform designed by artists, for artists. View the auction for this painting here or simply click on the image.

Tuesday 207 paintings are exclusive to The Maine. They depict the land, the light and the people that make this state a state of wonder. Visit the growing gallery of Tuesday 207 paintings here.

Jessica is the editor of The Maine and writes occasionally as The Outsider.

We All Have Our Reasons: #2013.168

photograph by Karen Hansen
poem by Dave Morrison

Day 168

Today

Normally I
think of the sun as a
single fiery entity but
today it has broken into two
million golden pieces
many of which are
floating on the
surface of the
bay.
Conversely, I
often think of the
wind as a series of
breaths, yet
today it feels like a
single warm
hand
gently pushing me
down
Main Street.

Sweet (JukeBooks 2006)

Geography Of Youth

interview by The Geography Of Youth

Editor’s note: We’re happy to feature interviews with Millenial Mainer’s in support of what could become the largest participatory portrait of a generation, ever. Find the link to contribute your story below.

Tyler

Name: Tyler.

Age: 26.

I am from: Lincolnville, ME.

I currently live in: San Francisco, CA.

I currently live with: Roommates I found on Craigslist.

Level of education completed: BA.

Occupation: Communications / Environmental Media.

Do you consider yourself an adult? Not yet, nope.

If not, when do you think you will become an adult? I doubt I’ll really feel like an adult until I have kids – someone who relies directly on me for everything.

10 years from now I see myself: Living in Maine with a family (or at least a lady) and a small business, doing fun and meaningful work.

How likely do you think it is that you will eventually get what you want out of life? Oh I think it’s pretty likely. I don’t think it takes an awful lot to “get what you want out of life” as long as you keep good folks around you and smile when it rains.

What is the biggest concern in your life right now? I think for me right now the thing that stresses me out most is a lack of clarity – in professional aspirations, in love, or even in mondane things like “what do I want to do today.” It leads to this unnerving feeling that I’m sometimes just coasting through the days, trapped with a head full of ideas and not enough time to carry them all out.

***

The Geography of Youth is a participatory public art project designed to promote dialogue within communities about the Millennial generation. It began in 2011 with photographers Morrigan McCarthy and Alan Winslow traveling the world to photograph and interview Millennials. Now anyone between the ages of 18-32 can visit The Geography of Youth’s tumbler and add their own story to the project by answering twelve questions and submitting a self portrait. In 2014 all the stories and portraits will be combined into an art show projected onto walls and buildings all over the planet. The more stories, the better the final public art show will be…so what are you waiting for? Share your story and become a part of the largest participatory portrait of a generation ever!

Not between 18-32 but still interested in The Geography of Youth? You can follow Alan and Morrigan on Facebook and Instagram as they travel around the United States continuing to document Millennials: 

Facebook: restlesscollective
Instagram: @morriganm and @alanwinslow

Little Yellow & Green Salad

photographs and text by Megan Bedford

Yum

Sometimes I wait too long to make my lunch, and I turn into an evil Jekyll of myself, tearing through kitchen cabinets, greedily slicing off hunks of cheese, and messily assembling weird meals in a kind of delusional haste. Yesterday I had one such hunger squall, but managed to temper my monstrous cook in the kitchen by amusing myself with the construction of a little yellow and green sandwich.

Like many of these ill-planned lunches, I began with an idea that would be impossible, or ridiculous at least, to see through. Egg salad! I thought. I have too many eggs, a relatively fresh baguette, and some arugula. Sounds great. Oh, but no mayonnaise. Maybe I’ll make mayonnaise!

Right. As I boiled the eggs I looked up mayonnaise recipes and quickly realized that I was in no position to attempt it. But there was an attractive looking avocado batting its eyelashes at me from the counter. I thought it might be just mushy enough to take the place of the mayonnaise, and pondered for a moment mixing up an avocado-egg salad. A hideous brown slurry appeared in my imagination, like acrylic paint projects gone wrong in so many middle school art rooms. Best to keep the lovely items separate.

And so I went with layers. A striated sandwich of yellow and green. Here’s how to make it:

Step One: Slice baguette, slice avocado, build layer one on top half baguette.

Step One

Step Two: Slice hardboiled egg, build layer two on top of avocado.

Step Two

Step Three: Top with arugula, drizzle lightly with olive oil and salt.

Step Four: Spread thin layer of peppy mustard (Coleman’s preferred for its extreme yellowness and bite) on bottom side of baguette.

Step Four

Step Five: Smash together, assemble remaining ingredients into a tiny salad with olive oil and salt, and get chewing!

Step Five

Free For The Taking

an ongoing search by Shannon Thompson

Camden Road, Hope

Learning To Stay, To Climb, To Practice

paintings and text by Jessica Stammen

On this day last year I was driving home, winding the opposite direction of downeast, traveling up-west along the coast of Maine from Acadia to Camden. Three days of adventuring in the national park with a crew of designers, marketers, and athletes from Northface had my body buzzing and my imagination captured. Our primary mission had been to wear as much gear as possible — hats, coats, pants, shorts, and shirts — put it through the rigors of rock climbing, standup paddle boarding, sailing, hiking, and lobster baking, and then provide feedback on performance and style.

The outside wilds of Maine were our playground for a short time before the inside pathways of my mind became a staging area for further expedition. Even on the drive home, strapped in by a seatbelt, I felt daring, adventurous; I decided, without thinking, to pop in a CD a friend had left under my windshield wiper more than a few weeks earlier at the local YMCA. A clear, and unfathomably calm voice came on and announced itself: “Learning To Stay, with Pema Chodron.” Yes. Yes, I know. That’s why you remained untouched in my center console for so long, I said to myself. I may have rolled my eyes even; but as the CD continued to spin I realized with a sheepish giggle that its ideas and timing were useful.

I could use this, I thought. Wait, I could use this? It was true; I could use this to write about rock climbing, the activity in Acadia that had captured my imagination and sparked my thrill the most.

While I had climbed indoor at the local Y a handful of times before, Acadia was my first outdoor session. Eli Simon of Atlantic Climbing School and Mark Synnott, a Northface team athlete, alternately belayed me. Not bad right? If only I had known. My memory of Eli when he was in elementary school interfered with my clear understanding of how professionally accomplished he had become. And Mark? Well, I couldn’t even remember Mark’s first name until the last day of our gear testing adventure. This is the same Mark Synnott who has onsighted 5.12, red pointed 5.13, and climbed Yosemite’s El Capitan twenty times. I may know where Yosemite is but its been a year since I’ve read Mark’s bio on the Northface website and I still need to look up onsight and red point in order to remember what they mean. There’s no fooling you, dear reader; I can’t pretend to know much about rock climbing if I don’t know a Mark Synnott when he throws me over a cliff’s edge.

The amazing thing is that without knowing Mark I did  let him throw me over a cliff’s edge — and then subsequently haul me up a difficult section of the 5.10b Drunken Sailor route. 5.10b is not too shabby for a beginner, by the way, despite the help I received. Apparently I climbed like a champ on that June morning one year ago, an admittedly debatable fact that, if true, is less an evaluation of my actual performance and more a result of my willingness to say yes. “Wanna go first, Jess?” Yes. “Wanna give this route over here a try?” Yes. “Wanna put your right hand there?” Yes. “Wanna try and stretch you left leg up to that crag…yeah, that one there, the one that’s impossible to reach?” Yes. For some reason I spent the morning not thinking when challenged with so much new and unknown; I just acted. I failed fantastically in many small moments, but I never stopped taking action all the same. An amazing physical and spiritual high built in intensity throughout the session. I thought I had found my new calling. Pema Chodron confirmed it.

I listened on the drive back home as she told of her “lousy” practice of meditation, of learning to stay in the eternal present as she also put it. Sure, Pema, whatever. But I felt I was on the inside of her joke when she lovingly laughed at the customary invitations into meditation or prayer — sit down, get comfortable, relax — and at the direction to use awareness of one’s breath to bring a wandering mind back to the present. Impossible! says Pema, who learned early and fast that she was almost never present. After thirty years of practice “you think I’d be really good at [meditation],” but it’s precisely because she’s no longer concerned with being “good” at it that she’s able to say:

…That’s why I have this lousy meditation that doesn’t bother me anymore because whatever arises is the fresh and I know it’s absolutely true and, you know, I just have this hopelessly unworkable non-meditative mind and I’ve devoted my whole life to it…It’s completely absurd!

She exclaims this and then laughs along with the audience. I laugh too. “Whatever arises is fresh.” What a relief! If my mind wanders in meditation, that’s the revelation. If my foot slips in rock climbing, that’s the experience. My foot slips a lot when climbing. But because it can slip, it slips less and less over time. Adding heavy and cumbersome baggage to thoughts and actions by feeling the need to qualify them as good or bad, right or wrong, is like clinging onto sheer rock, wrapped in so many layers of to-be-evaluated Northface gear that I can’t even move. Better to slip, to learn, and to shed those layers than remain paralyzed, yelling fearfully for Mark and Eli to tighten the belay.

Learning is never easy.

Last month I traveled out to the Pacific Northwest to spend time with my brother Greg, who had been childhood friends with guide Eli. I bragged to him about my impressive climbing with Mark Synnott, maybe even exaggerating the 5.10 to 5.12 somewhat unintentionally; I swear I simply couldn’t remember the significance of the numbers! (What do you expect? I already admitted to not knowing much about rock climbing.) Whatever the number, I was clearly relying on past performance to anticipate and judge future experience. Judge not, lest ye be judged. Truly.

I stood on the side of Mt. Erie, on the Island of Fidalgo, in the Puget Sound and I shook as I stepped into my borrowed harness and laced up my borrowed shoes. Judge and jury were present and they were only me despite my effort to shift blame on Greg or one of his five unsuspecting friends climbing with us. None of them turned out to be sponsored pros, but I was completely unnerved. I judged my every move, my every twitch, my every attempt, how long I was taking, how often I was hesitating, and what was I even doing here in the first place — imposter! — thinking that surely Greg and his friends were similarly frustrated by my sub-par performance. I’m quite certain they were not. I’m quite certain that they, unlike me, were simply having a good time as the foggy morning dissolved into brilliant and warm afternoon air.

For surely the setting for our climb was jaw-droppingly beautiful. The audible experience of crashing waves at Otter Cliffs found its visual equivalent here on the west coast with the successive tide of islands and inlets, islands and inlets that seemed to roll in from the south horizon right up to the base of Mt. Erie. I was perched just a few feet above the start of a 35-foot route when I turned stiffly, saw this, really saw it, and let the joy of my surroundings finally break the praising, panicking duality of my judgmental thoughts. I faced the wall again and became light. My breath relaxed, my mind calmed, and just like that my spirit became playful. I stayed for a moment in this sensation; I remembered having felt it before. My body circumvented my brain with a smile as it realized how utterly ridiculous it was for a human to be dangling from a rope on the side of a mountain. And then I began to move.

I have no idea how much longer it took me to reach the top of that route on the Power Line Wall. I stopped keeping track and without thinking, just said yes. I was alive in the present for the first time that day.

I’m almost embarrassed to admit that I did, in fact, stay with each breath as I climbed. Was I meditating? I intentionally yet intuitively breathed each yes movement — yes I will go, yes I will put my hand there, yes I trust my toe to support me, yes. If it happened that my toe did not support me and I slipped, staying with my breath freed learning to happen in my body, not my brain, protecting me from fear and judgement, preparing me to simply continue saying yes in the very next moment. It was a sea change of awareness.

And so it took me a year to learn that there is not only a connection between mediation and rock climbing, but also a third interface with decision making. I’m sure the response from most rock climbers here is, Well duh. I’m also quite aware there are probably a million and one essays, stories, and poems out there about rock climbing and this very topic. I have read only one and it did speak of breath, as if the act of breathing was the body’s decision to concentrate.

As I continue to write I could start to second guess myself here, to judge and let performance anxiety take over just as it did on Mt. Erie. Instead I will breath. I will smile and remember that there are at least a million paintings of apples in the world, but that this doesn’t stop any artist from painting yet another one.

We like to qualify our efforts — be they painting, writing, climbing, or meditation — as either good or bad instead of staying with them, instead of being in the discomfort of wow-that’s-pretty-bad-but-holds-potential. I mean, you should have seen the rough draft of this essay. C.S. Lewis writes:

The human mind is generally far more eager to praise and dispraise than to describe and define. It wants to make every distinction a distinction of value; hence those fatal critics who can never point out the differing quality of two poets without putting them in an order of preference as if they were candidates for a prize.

What if I took all that Northface gear we spent three long days testing and simply rated each item on a scale of good or bad, offering no more feedback from my experience? What a wasted opportunity for a great conversation and improved product! Welcome to the human condition and to the tendency that both Pema and Clive Staples warn about. How do we get beyond good and bad to the richer region of description and definition? To describe is “to write down, copy, represent.” Just as there have been a million and one apples, and essays, and routes, and soundings of the gong, the answer here is simple but profound. The answer is to paint, to write, to climb, to breath, over and over and over again. The answer is to practice. Practice doesn’t make perfect; practice is perfect. Perfect is a judgement, an illusion.

Last month when we drove home from Mt. Erie I asked my brother Greg what he loved most about climbing and he responded as if someone had slipped a CD of his teachings under the windshield wiper of the car. He said his favorite moments were when he felt the most fear because, in them, he could practice quieting his mind and freeing his capacity to act. It was a decision he could learn to make and then call up in the cockpit of his jet when facing moments of unknown outcome. “By climbing you learn about the rock, but you learn more about yourself.” Okay, Pema.

Could it be that I learn to move beyond my brain by letting a rock define me, by letting my experience of it and practice on it show me my perceived limits? How does this practice expand or explode those limits? Does the rock help me practice me?

A year ago, walking over to Otter Cliffs from the parking lot in the silvery morning light, Mark Synnott asked how tall I was. When I replied that I was 5’9″ he commented that I walked taller. I told him how, in high school, the basketball roster listed me as 5’10″ in order to intimidate other teams. As a hopeful freshman it also set my heart reaching for the impossible handhold of such heights. Truth is, with the last sputters of puberty long gone, I’m not even 5’9″. No matter. After that very first morning of climbing in the fresh ocean air I felt like I was 5’10″ — 5’12″ even!

Maybe we’re all 5’12″ with a lot of practice and a little disregard for what those numbers mean anyway.

Tuesday Tune: Chat With A Chat

video by Brian Willson

Yellow-Breasted Chat by Brian Willson

What does a Yellow-Breasted Chat sound like?
“toop-toop-toop-toop-toop toop toop, toop;
chook;
terp;
jedek;
chrrr chrrr chrrr…”

Yellow-Breasted Chat by Brian Willson

Yellow-Breasted Chat by Brian Willson

Further evidence of climate change? Or just another wayward bird?

On my visit to Beech Hill Preserve last Sunday, I hadn’t expected to run into a yellow-breasted chat. This extra-large New World warbler—some would say “alleged” warbler—rarely gets this far north, and hardly ever in breeding/singing season. Not only was this the first chat I’d ever encountered on Beech Hill, it’s the first I’d encountered ever. I couldn’t have dreamed up a more entertaining “lifer.”

Yellow-breasted chats are famous for their wacky voices. They’re also famously shy, preferring dense, low growth and hedgerows, so it follows that I would hear it before laying eyes on such an exotic thing. And I knew I’d never heard that odd collection of notes and chitters—at least not in the field. In his eponymous Field Guide to Birds, David Allen Sibley understates its call as “extremely varied” and then goes on to make an attempt to translate the sounds into words: “toop-toop-toop-toop-toop toop toop, toop; chook; terp; jedek; chrrr chrrr chrrr…”

The chat did eventually appear and pose for photos and a video. I even saw it again yesterday morning. But its absence in afternoon suggests it might have moved away.

Surf Oddity

short film and photograph by The Downeast Project

Editor’s note: “Maine…is quite the surf oddity,” writes Alex Kozikowski, a high school senior, surfer, and founder of The Downeast Project which aims to showcase the surfing adventures of the Maine-iacs through documentary style photography and filmmaking. Enjoy this short, old-style surf film and check out more of Alex’s work here.

photograph by Alex Kozikowski